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How To Look Beautiful In One-shoulder Or Asymmetric Black Dresses

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Ladies are always cautious about wearing beautiful jewelries with on shoulder black dresses. Most commonly problem arises in neckline while wearing a one shoulder dress. So, you should be very careful while choosing a specific necklace. Most of the designers not advise to wear a graceful necklace with such type of outfit. This is because a necklace can imbalance the smoothness of your dress. However, if you are willing to wear a necklace then make sure it is not delicate. An inferior quality necklace can spoil the true delicacy of one shoulder dress. Length of your necklace should be judged very carefully. It should not be very long.

Women have their own choices regarding jewelries. They like to wear various types of jewels with asymmetric black dresses. One shoulder dress has become an important part of hottest fashion trends. You cannot find a single party where women do not wear such types of stylish dresses. Mostly, these dresses are suitable for the ladies having toned body types. Women having apple or pear shaped bodies should avoid wearing these dresses. If you are passionate about getting a chic asymmetrical look then opting for the right kind of asymmetric black dresses must be your first priority. You should know that these dresses come under a variety of styles and prints.

Asymmetric black dresses are perfect for both informal and formal occasions. They have complex collar lines that will not fit every body type. Women having larger busts should not wear such sorts of dresses. I advise you to try on one shoulder dress before you buy it. This can give you a better idea. If you feel satisfied and comfortable in a dress then you can purchase it without any worries. Never forget to pair these dresses with strapless bra. It is advisable to avoid wearing colorful and fashionable bras. Try to wear a simple black bra that can conceal through.

It is useless to get embellished fashion accessories to wear with one shoulder dresses. Wearing simple and elegant accessories is always desirable. If you want to wear an asymmetric dress during winter then you should avoid covering it with a shawl, pullover, cardigan or jacket. Due to this reason, asymmetric black dresses are perfect for wearing during the warmer and hot months of summer. Hence, adopting some useful fashion tips and tricks can make you awesome in your asymmetric black outfit.

The Basic Concept Of Clothing

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In the apparel industry, most people likely to be some common names, such as clothing, apparel and senior high set uniform confusion, in fact, behind all these names have their basic concept of unity.
Advanced set uniform (Haute Couture) is typical of the French national essence, since 1858 the birth of the French senior fixed uniform already have 150 years of history.
In 1858, Charles Frederick Worth for the first time introduced the concept of fashion design and opened in Paris, named after his personal female tailor for the upper top of the system’s senior clothing store. This is an advanced custom clothing store history. Worth for the first time the identity of designers rather than the traditional tailor in the world. When he designed the Queen’s favor after the French, it is famous. Royal rush around the world, not only the high price of clothing is pleased to pay more has designed clothing Worth proud.
In 1868 the French Federation of established high-level set uniform.
Paris designers a high-level authority set uniform organization, which is now the senior set uniform Federation of custom clothing store on the high scale, technical conditions, conference details and made strict rules. After a lapse of a century, senior custom clothing store in Paris still comply with these traditions.
Haute Couture must meet four conditions:

First, with studios in Paris, to participate in senior fixed uniform Women Association’s annual January and July show the two ladies.

Second, each showing at least 75 or more to complete the design by the Chief Designer

Third, year-round full-time employment of more than 3 models

Fourth, the number of each style of clothes and very little basic by the hand.
After meeting the above conditions, but also approved by the French Ministry of Industry approval to name the “Haute Couture”.
From the French government in 1945 set a series of standards on the industry, the last only Chanel, Christian Dior, Yves saint Laurent and other 20 companies eligible to obtain a uniform high-level set.
Custom process:

Designer according to customer’s unique need for creativity.
Build customized models according to customers, and conduct three-dimensional model with a cloth cutting, punching cardboard production division pattern.
Division chief with the cloth on the production of like sewing clothes, customers try on and make changes

.

Sewing teacher selected fabrics with cutting sewing.
Installed in the test when they make changes and adjustments to detail, a set of clothes to try on at least 3 times to complete.
As the Haute Couture make extensive use of hand-embroidered beading, priced at more than 250 thousand U.S. dollars is not surprising, simple style without embroidery 1-2 million.
Haute Couture world is only 2,000 or so regular customers, today’s advanced set uniform less than 20 brands

.
Paris, New York, Milan and London Fashion Week Four, is the senior clothing distribution and trading activities.
Advanced clothing and general clothing difference, not only in its lot size, quality level, the key is still in its design of the personality and taste, therefore, the senior international designer brand clothing in general are some.

I like Herve Leger dress.Whether set foot on the red carpet to attend the ceremony or participate in town meetings, Herve Leger clothing will be for you to create a memorable image.

Clothing Suppliers Bangkok – Bringing The Latest Fashions To Your Customers At Affordable Prices

adminClothing

When it comes to clothing suppliers, Bangkok offers many choices for retailers. The backbone of the retail clothing market is the number of suppliers around the world. It is important for the retail market to build solid relationships with clothing suppliers. Without that solid relationship, they will not get the quality and quantity of product that they need to meet the retail market demands. They also need to get great prices and order to keep retail prices within customer expectations. That often means they have to go overseas to get the right balance. Bangkok, Thailand, has become a growing place for them to go.

Among clothing suppliers, Bangkok is becoming a common destination. There is an old misconception that overseas clothing suppliers do not provide quality products. However, that is not true. They often have access to textiles of excellent quality. These suppliers also take time to train workers on how to assemble products in a quality fashion. They employ designers that take cues from the latest fashion runway designs and translate that into offerings for the retail market. They do all of this at lower labour costs than most other countries around the world. That is why Bangkok is becoming so popular.

Despite Bangkok’s growing reputation, there are still many small companies in Thailand waiting to get their products into many markets. They provide the same quality as the more famous shops, but at better prices. This presents an excellent opportunity for clothing retailers who want to get something fresh for their stores while still maintaining good price points. Retailers find that these smaller clothing suppliers want to court their business and will give them excellent deals. When it comes to clothing suppliers, Bangkok is just the first stop in Thailand. Both inside and outside the city, the wholesale clothing market continues to grow.

Clothing retailers want something different yet fashionable for their customers. They want something that presents their customers with a unique product without looking like everyone else walking down street. Yet, they need to meet their customers” price expectations as well. When it comes to wholesale clothing suppliers, Bangkok offers a wide selection on price, quality, styles, and exclusivity. For the start-up clothing retailer, getting the best price and quality merchandise is a good way to get started. With a solid professional relationship, you can find the right wholesaler to get your business off the ground. They also work well with established retailers.

Jewelry Allergies – My Jewelry Makes Me Itch

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All the jewelry I wear gives me a rash.” Can you relate to this statement? This allergic reaction to some metals is commonly referred to as dermatitis. The Nickel found in many types of jewelry is the cause of most forms of dermatitis. Allergies to Nickel are quite widespread. Nearly one in seven people experience an allergic reaction to Nickel. Women suffer more than men from Nickel allergies. This is probably due to the fact that more women wear jewelry then men, so they are more exposed to jewelry with Nickel content. So what types of jewelry metals should one avoid if they are allergic to Nickel?

Let’s firs take a look at Gold jewelry. Generally, jewelry made from yellow Gold (14 karat and above) usually doesn’t cause Dermatitis. However, white Gold may. White Gold contains Nickel and other “white” metals to produce its Silver coloring. One out of every nine people will react to the Nickel in white Gold. Another form of Gold jewelry is Gold-filled or “GF” jewelry. Gold-filled jewelry metal is created when a base metal is coated with a layer of Gold. This results in a much thicker layer of Gold in relation to Gold-plate jewelry. With Gold-filled jewelry, the amount of Gold contained in the jewelry is between 75-200 times higher in Gold content than in that of Gold-plated products.

For those that love the look of White Gold, but have allergies, Fine Silver or Sterling Silver is a great alternative. Fine Silver is by definition 99.9% pure Silver. Normally, jewelry is generally not made of Fine Silver because the metal is extremely soft and does not withstand normal wear and tear well. In general, most Silver jewelry is made from Sterling Silver. By definition, Sterling Silver is 92.5% pure Silver. Copper makes up the remaining 7.5%. To make the Silver more durable, Copper is alloyed with pure Silver. Since Copper is normally used, Sterling Silver is a great metal for Nickel allergic people. By law, all Sterling Silver must by hallmarked with a .925 symbol. This marking is common on manufactured pieces, but may not be present on artisan jewelry.

Another great choice of metal to consider if you have Nickel allergies, is Copper. Most Copper jewelry doesn’t contain Nickel and is made with 100% Copper. Surgical or Stainless Steel is commonly used in jewelry. As the name implies, Surgical Stainless Steel was designed to be used in the human body. Conversely, Nickel is used in Stainless Steel making up to as much as 8 to 12% of the alloy. People with sensitive skin should avoid Stainless Steel in that it does contain a high percentage of Nickel. Another choice “white” metal for those that suffer with Dermatitis is Platinum. It contains no Nickel and is chiefly composed of 95% Platinum and 5% Iridium. The last of the “safe” metals is Titanium. Titanium is a great metal for jewelry – it’s both hypoallergenic and durable. For those that suffer from Nickel allergies, Titanium jewelry is a sure bet.

Please be aware of these types of jewelry and metals when shopping if you commonly have skin problems. Nickel is frequently used to make Costume and Fashion jewelry. Fashion or Costume Jewelry typically contains high quantities of Nickel or German Silver. German Silver does not contain any Silver. In fact, “Silver” only refers to the color of the metal, and is no way related to metal compostion. The “Silver” appearance of German Silver is a result of melting Nickel, lead, zinc, or tin during the alloying process. If your are concerned that your jewelry may contain Nickel, the best way to determine this would be to buy a test kit available online. By asking a few questions and doing a little research upfront, you can save both time and money, and still allow be able to wear fashionable jewelry.

Indian Fashion Industry

adminFashion

Colourful fashion trends of India

With the end of the 20th
century came the end of all hype which has created a more practical and
pragmatic environment and has given a more stable picture of the fashion
business.

In the 50s, 60s and 70s, the Indian fashion scenario wasn’t exactly
colorless. It was exciting, stylish and very graceful. There were no
designers, models, star or fashion design labels that the country could
show off. The value of a garment was judged by its style and fabric and
not by who made it.

It was regarded as ever so chic and
fashionable to approach any unfamiliar tailor, who could make a garment
for a few rupees, providing the perfect fit, finish and style. The high
society lady, who wore it, was proud for getting a good bargain and for
giving her name to the end result.

In 60s, tight ‘kurtas’,
‘churidars’ and high coiffures were a trend among ladies. It was an era
full of naughtiness and celebration in arts and music and cinema,
manifested by liberation from restriction and acceptance of new types of
materials such as plastic film and coated polyester fabric.

The
70s witnessed an increase in the export of traditional materials outside
the country as well as within. Hence, international fashion arrived in
India much before the MTV culture with the bold colors, flower prints
and bell-bottoms. Synthetics turned trendy and the disco culture
affected the fashion scenario.

It was in the early 80s when the
first fashion store ‘Ravissant’ opened in Mumbai. At that time garments
were retailed for a four-figure price tag. The ’80s was the era of self
consciousness and American designers like Calvin Klein became popular.
In India too, silhouettes became more masculine and the ‘salwar kameez’
was designed with shoulder pads.

With the evolution of designer
stores in Mumbai, the elegant fashion design culture was a trend among
Indians along with their heavy price tags. No doubt that a garment with a
heavy price tag was at the bottom stage of fashion. But clients
immediately transformed into the high fashion fold where they were
convinced that that the word ‘elegant fashion design culture’ means, it
had to have a higher price tag.

Garments were sold at unbelievable
prices only because the designers had decided to get themselves noticed
by making showy outfits and getting associated with the right shows,
celebrities and events.

Later, fashion shows shifted to
competitive events each attempting to out-do the other in theme, guest
list and media coverage. For any newcomer, the fashion business was the
number one professional art that time.

In the 90’s, the last
decade of the millennium, a move towards the drastic pairing down
returned with ethnic wears (Today, ethnic wear market in India is
accounted to Rs. 9000 crore). This led to the decline and the recession,
the push to sell at any cost and keep staying in the limelight. With
heavy cut throat competition and sound awareness of the client, the
inevitable occurred. The price tags, which had once reached at a peak,
began their downside journey.

At those times the downturn was not
only being experienced in the price tags of the garments, but also in
the business of fashion shows. More models, choreographers, make-up men,
hairstylists and designers streamed down into their business.

The
fun and party time in the Indian fashion scenario had not ended with
this, but continued. It was a point, where it reached at a certain
steady level and from there, in the beginning of the 21st centaury, with
new designers and models and some sensible designing; the fashion hype
accelerated its speed.

Indian fashion industry spreads its wings globally

For
the global fashion industry, India is a very big exporter of fabrics
and accessories. All over the world, Indian ethnic designs and materials
are considered as a significant facet for the fashion houses and
garment manufacturers. In fabrics, while sourcing for fashion wear,
India also plays a vital role as one of the biggest players in the
international fashion arena.

India’s strengths not only depend on its tradition, but also on its
raw materials. World over, India is the third largest producer of
cotton, the second largest producer of silk and the fifth largest
producer of man-made fibres.

In the international market, the
Indian garment and fabric industries have many fundamental aspects that
are compliant, in terms of cost effectiveness to produce, raw material,
quick adjustment for selling, and a wide ranges of preference in the
designs in the garments like with sequin, beadwork, aari or chikkon
embroidery etc, as well as cheaper skilled work force. India provides
these fashion garments to the international fashion houses at
competitive prices with shorter lead time and an effective monopoly in
designs which covers elaborated hand embroidery – accepted world over.

India
has always been considered as a default source in the embroidered
garment segment, but the changes of rupee against dollar has further
decreased the prices, thereby attracting buyers. So the international
fashion houses walk away with customized stuff, and in the end crafted
works are sold at very cheap rates.

As far as the market of
fabrics is concerned, the ranges available in India can attract as well
as confuse the buyer. A basic judgmental expectation in the choosing of
fabrics is the present trend in the international market. Much of the
production tasks take place in parts of the small town of Chapa in the
Eastern state of Bihar, a name one would have never even heard of. Here
fabric making is a family industry, the ranges and quality of raw silks
churned out here belie the crude production methods and equipment used-
tussars, matka silks, phaswas, you name it and they can design it. Surat
in Gujarat, is the supplier of an amazing set of jacquards, moss crepes
and georgette sheers – all fabrics utilized to make dazzling
silhouettes demanded world over. Another Indian fabric design that has
been specially designed for the fashion history is the “Madras check”
originally utilized for the universal “Lungi” a simple lower body wrap
worn in Southern India, this product has now traversed its way on to
bandannas, blouses, home furnishings and almost any thing one can think
of.

Recently many designers have started using traditional Indian
fabrics, designs and cuts to enhance their fashion collections. Ethnic
Indian designs with batik cravat, tie-and-dye or vegetable block print
is ‘in’ not just in India but all across the world.

In India, folk
embroidery is always associated with women. It is a way of their self
expression, and they make designs that depict their native culture,
their religion and their desires. Women embroider clothes for their
personal use, and the people linked with the pastoral profession prepare
embroidered animal decorations, decorative covers for horns and
foreheads and the Rabaris of Kutch in Gujarat do some of the finest
embroidery. Embroidered pieces are made during the festivals and
marriages, which are appliqu� work called ‘Dharaniya’. One of the
significant styles of Saurashtra is ‘Heer’ embroidery, which has bold
geometric designs, woven on silks. The Mutwa women of the Banni area of
Kutch have a fascinating embroidery where they make fine embroidery
works with designed motifs and mirrors in the size of pinheads, the
Gracia jats use geometric designs on the yoke of long dresses. Moreover,
the finest of quilts with appliqu� work are also made in Kutch.

Garments
embellishment with bead work is another area where it in demand in the
international market. Beads are used to prepare garlands and other
accessory items like belts and bags and these patterns now available for
haute couture evening wear too.

According to a survey, in recent times Indian women have given up
their traditional sari for western wears like t-shirts and shorts, as
they feel more comfortable in skirts and trousers instead of saris and
salwar kameez. It’s been noted that women spend just $165 million on
trousers and skirts against 1.74 billion dollars spent by men on
trousers. With more women coming out to work, the (combined) branded
trouser and skirts market has been increasing at a whopping 27 per cent
in sales terms. Women feel that Western clothing is more suitable,
particularly when working or using public transportation. Many corporate
offices are also in favor of their employees wearing Western wear.

In
India, Western inspiration is increasing due to the influence of TV and
films. Besides, shopping malls selling branded clothes have also
mushroomed in India and are fascinating the youngsters. Recently,
designer wear is being promoted through store chains such as Shopper’s
Stop, Pantaloons, Westside, etc. Companies such as Raymond and TCNS have
also set up their exclusive stores for designer wear such as Be: and W.


The market of India fashion industry

Recently, a report stated
that the Indian fashion industry can increase from its net worth of Rs
200 crore to Rs 1,000 crore in the next five to ten years. Currently,
the worldwide designer wear market is amounted at $35 billion, with a 9
per cent growth rate, with the Indian fashion industry creating hardly
0.1 per cent of the international industry’s net worth.

According
to approximations, the total apparel market in India is calculated to be
about Rs 20,000 crore. The branded apparel market’s size is nearly one
fourth of this or Rs 5,000 crore. Designer wear, in turn, covers nearly
about 0.2 per cent of the branded apparel market.

At present, the
largest sales turnover within the designer wear segment is about Rs25
crore, with other well-known names having less turnovers of Rs10-15
crore. In view of the prospects of the Indian fashion industry for
growth, the figures are not very hopeful.

The figure of fashion industry

o The organized market for designer apparel is about Rs 250 crore

o Designer wear calculates to less than 1 per cent of the apparel market

o The global market for designer wear is 5 per cent of total apparel market

o The global market for designer wear industry is largely dependent on the small-scale sector

o
Consumers for designer wear have a yearly household income of Rs 10
lakh-plus. There are 3 lakh such households developing at 40-45 per cent

o Designer wear industry is projected to increase to Rs 1,000 crore by 2015.

o More than 81 per cent of the population below 45 years of the age is fashion conscious.

Many
fashion designers and management experts foresee an average growth of
about 10-12 per cent for the Indian fashion industry in the coming
years. Though, the growth rate could be more than 15 per cent, if
infrastructural and other logistical bottlenecks and drawbacks are over
come.

India needs more effort to overcome

However, despite
the benefits available in India there are also some disadvantages. India
is not a remarkable player in the global market with reference to
brands because of its inability to add value to products. This is
observed by the fact that nearly 50 per cent of its exports are apparel
and made-ups where value addition is essential. Likewise, 75 per cent of
domestic apparel market is commoditized and unbranded and very few
Indian brands do survive in the foreign markets. Evidently, the Indian
market has not made a strong stand and hence it is difficult to make
Indian brands that can compete with global brands in India.

Another
reason for the fashion industry’s inadequate growth is the limited
experience of the designers and the platform they are offered. The
insignificance stalks from the reality that most of the young talent is
hired by the bigger names to work in their studios, thus imprinting
their work with the label of the big designers.

Though performing individual presentation is not an alternative
choice for most of the young talent, because of the limitation of
finance, a beginner designer’s name fails to come to the forefront.

Another thing, with regards to the ramp, is what the designers offer
is barely appropriate to be worn ordinarily. You’ll see there’s
dissimilarity between what is there on the ramp and what the Page Three
crowd wears. Some believe at present the fashion is in, but the tendency
hasn’t changed much as it is the old ones coming back. We have had
short kurtas, long kurtas, flowing skirts, etc. coming back into fashion
with only a new variety of designs.

Many management consultants
and professionals believe that the Indian fashion industry will be
boosted if the new comers are paid proper attention. What they require
is more support so that their work gets due recognition. According to
the consultants and professionals there should be a panel of people who
choose designers for showcasing according to their work and not their
name or who they’ve worked for earlier, and hence selection would be
purely based on quality. Besides this, the panel of judges should
comprise of people from the fashion schools rather than designers.

It has been observed that the media-hype around the big designers
and blatant commercialism has hindered business in the Indian fashion
industry. No clear cut picture is provided about the feasibility of the
products. Basically it is only the famous names that are being talked
of. What they offer is not quite daily-wear. The entire focal point of
the industry is on commercialism. The discussion is only regarding how
much is sold and for what price and nothing about the designs or styles.

Efforts to develop global fashion brands

It
needs innovative designers, a seamless supply chain, control over
retail and distribution and concentration of quality while dealing with
some image. While a few have accomplished something in the west covering
Tommy Hilfiger, Gucci, Zara, Armani, Versace, Ralph Lauren, etc, India
has not been capable to track on.

A serious reason for India not being successful has been its
isolation in the fashion system. Each stakeholder including designers,
exporters, textile players and retail chains need to come together along
with the government to make sure that the position of Indian fashion is
strong in the coming years.

There are various agencies and
industry associations that can support in brand-building practice. Many
of these agencies require attractive resources and making a global image
of Indian fashion rather than independently trying to promote
particular brands or textile segments.

Efforts to create strong global image

Large
textiles players require more and more to target on the market facing
activities while developing an association with small medium enterprise
(SME) clusters. Such kind of networks would be a benefit to that which
can focus on demand making and branding as well as for clusters that can
focus on quality production.

Efforts to create value networks

After
the entry of large retail chains like Wal-Mart, Gap etc in India, Small
scale manufacturers in India will find it very difficult to satisfy the
demands of these international buyers if they continue to promote their
products individually. Therefore, it is very important that value
networks are created between large textile and apparel companies in
India and small scale manufacturers, so that the marketing muscle of the
leading players can be utilized for receiving large orders while the
bigger players then assign the orders to the small-medium enterprises
according to their past record of quality and service. For this to be
put into practice, it will be vital to well-organize the information on
small-medium enterprise clusters in a perfect manner so that supplier
selection decisions are made according to the information in the long
run, only the more efficient small-medium enterprise players survive and
develop.

Efforts to concentrate on designers and designs

Designers have
a fundamental role to play in the future of Indian fashion scenario.
There should hence be an effective process for preparing these
designers. This can be done by sponsoring exchange programs with
international schools, increasing participations in the fashion capitals
of the world, motivating and offering business incubation to new
designers and rewarding efforts through proper design awards.

Even in India, well-known designers are incapable to tap finances
from well-organized resources, since a vital part of their assets are
brands and design talent which are not measured in terms of money and
hence it becomes difficult to judge the value. This has severely
inhibited their development and capability to raise retail existence
across the country and abroad. Likewise, there is no systematic approach
of existence in the fashion capitals of the world like Paris, Milan and
New York. Due to this, designers have to depend on their personal
contacts and relationships for organizing fashion shows and making
retail alliances. The French government as well as the British
government helps designers of their particular countries appreciably in
these areas as they understand that value creation through design is the
only way to carry on in the competitive landscape of the global fashion
industry. The Indian government and related agencies should also accept
this aspect of textile, apparel and fashion industry sincerely if they
need to see India on the global fashion map.

Work in collaboration: designers-corporate efforts

Designers
and many organizations can work globally through various models and with
many working relationships. The Indian fashion industry has many views
but only one such model, wherein a designer creates a retail venture
with his/her own brand through organized retail chains. There are many
other models according to brand ownership and division of operational
activities.

Globally, many models of collaboration between
designers and corporates are available. For example Ralph Lauren has
made an agreement with Jones Apparel for producing and retailing various
Polo brands. Likewise, Armani had an agreement with Zegna for
production, even while it was competing with them in the marketplace.
There are many cases of designer brands being co-owned by the designers
and corporates, Gucci-Alexander McQueen and Gucci-Stella McCartney being
some of them.

In the end, many designer businesses have been
obtained by corporates where designers play a major role in the design
elements of the business, but the brand and the organization is owned
completely by the corporate.

The current possession of Calvin
Klein by Philips Van Heusen and earlier holdings of Hugo Boss and
Valentino by Marzotto are some related examples in this segment. These
examples strongly point out that not only designers find such
relationships important for development, but also corporates find these
attractive for rising their profitability and growth. Likewise deals in
India could go a long way in developing the brand values of corporates
and designers.

Developing clusters

Making common
infrastructure for functioning such as design and sampling, affluent
treatment, product testing, etc can help in increasing the capability of
the clusters since noteworthy investments could be made by the cluster
itself rather than any single player.

Well-managed databases can
help in decreasing search costs and through data mining, rating of
players can be done so as to make the procurement process easier for
buyers. Cooperative marketing programs at different clusters can also
support players to grow up in the value chain by mixing their strengths
within the cluster.

Cluster based battle in the fashion industry
is characterized by the Italian industry. The National Chamber for
Italian Fashion for example, supports the development of the fashion
clusters at Milan and Florence in a well organized manner. Indian
industry can learn a lot from Italy because India has a similar cluster
based scattered production base, but has been incapable to link it with
design and branding capability.

If the above activities are
successfully considered, India could have an extraordinary development
in the fashion industry, which could increase from a negligible size to
Rs 8,000 crore in the coming decade.

Conclusion

In the 50s,
60s and 70s, the Indian fashion scenario was colorful and stylish, in
the end of 20th century it was quite subdued and with the beginning of
the 21st century it has geared up and is still experiencing the growth
with many spectrums of colours. Though this industry is growing at a
very good pace, besides achieving a negligible share in the global
market, still it needs to make severe efforts to stand amongst
international fashion market in various aspects.